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  • 04
    Dec

    Van Gogh’s Portraits of His Family Members


    Van Gogh painted and drew numerous portraits throughout his career and was especially interested in them during his early years of painting.  He obviously never lost his passion for portraits, in a letter written to his sister, Wilhelmina, on June 5, 1890, Van Gogh wrote,

    “What impassions me most – much, much more than all the rest of my métier – is the portrait, the modern portrait. I seek it in colour, and surely I am not the only one to seek it in this direction. I should like – mind you, far be it from me to say that I shall be able to do it, although this is what I am aiming at – I should like to paint portraits which would appear after a century to people living then as apparitions. By which I mean that I do not endeavour to achieve this by a photographic resemblance, but by means of our impassioned expressions – that is to say, using our knowledge of and our modern taste for colour as a means of arriving at the expression and the intensification of the character.”

    Van Gogh created portraits, not only of the interesting people he met throughout his life but of his beloved family.  In July of 1881, Van Gogh created a pencil and brown ink portrait of his grandfather who was also named Vincent van Gogh.  The portrait, Portrait of Vincent Van Gogh, The Artist’s Grandfather is owned by the Van Gogh Museum in Amsterdam.  In June of that same year Van Gogh created a portrait in pencil which is thought to be his sister titled, Portrait of Willemien Van Gogh.

    Portrait of the Artist’s Mother was painted in October of 1888.  This portrait was one that Van Gogh created from a black and white photo sent to him by his sister.  The portrait portrays his mother as a proud and respectable middle-class woman.  Van Gogh’s mother, Anna Carbentus van Gogh, was an amateur artist and introduced her son to art.

    In a letter to his brother dated October 8, 1888, Van Gogh wrote about the portrait of his mother:

    “That is to say, I am doing a portrait of Mother for myself. I cannot stand the colourless photograph, and I am trying to do one in a harmony of colour, as I see her in my memory.”

    In November of 1888, Van Gogh created two portraits that are believed to include his sister, Wilhelmina.  Memory of the Garden at Etten and The Novel Reader.  Memory of the Garden at Etten is not an actual portrait but is a depiction of a recollection of Van Gogh’s of his mother and sister walking through a garden near his boyhood home in the Netherlands.  The Novel Reader is not identified as Van Gogh’s sister but the sketchy expressionistic style used leads one to believe that it was an experimental piece and many believe he was imagining his sister as he created it.

    In a letter to his sister he discusses both paintings:

    “Here you are. I know this is hardly what one might call a likeness, but for me it renders the poetic character and the style of the garden as I feel it. All the same, let us suppose that the two ladies out for a walk are you and our mother; let us even suppose that there is not the least, absolutely not the least vulgar and fatuous resemblance – yet the deliberate choice of colour, the somber violet with the blotch of violent citron yellow of the dahlias, suggests Mother’s personality to me.”

    “I have also painted “Une Liseuse de Romans,” the luxuriant hair very black, a green bodice, the sleeves the colour of wine lees, the skirt black, the background all yellow, bookshelves with books. She is holding a yellow book in her hands.”

    For years art historians had believed that Van Gogh had never painted a portrait of his beloved brother and companion Theo.  However, in 2011, a painting that was once believed to be a self-portrait, Self-Portrait with Straw Hat, was determined to actually be a portrait of his brother, Theo.  Closer examination revealed a number of differences between this painting and other self-portraits.  The subject had rounder ears, a cleaner shave and lighter beard.  During the time of this painting the brothers were living together so there are no letters providing evidence of who the subject is.  The Van Gogh Museum has renamed the painting, Portrait of Theo Van Gogh.

    Portrait of Vincent Van Gogh, The Artist’s Grandfather  July 1881 Portrait of Willemien Van Gogh June, 1881
    Portrait of Artists Mother October, 1888 Portrait of Theo Van Gogh March-April, 1887
    The Novel Reader November 16, 1888 Memory of the Garden at Etten  November, 1888

    Letter Source:
    http://www.webexhibits.org/vangogh/letter/21/W22.htm
    http://www.webexhibits.org/vangogh/letter/18/546.htm
    http://www.webexhibits.org/vangogh/letter/18/W09.htm

    Filed under - Van Gogh Family, Van Gogh Portraits No Comments so far. Add yours now

  • 27
    Nov

    Van Gogh’s Egyptian Mummy Drawings


    In June of 1889, while at the asylum in Saint-Remy, Van Gogh created a drawing with blue and black chalk, on bluish gray Ingres paper titled Mask of an Egyptian Mummy.  Shortly before his death, in July of 1890, Van Gogh executed three more drawings of the same subject one with blue caulk and the others with black.  Each is titled Mask of an Egyptian Mummy.

    In May of 1890, Van Gogh left the hospital and moved to Auvers-sur-Oise.  In June he painted a number of portraits as well as several other works.  In many we see him returning to memories of the past.  Perhaps his original mummy drawing was something he wished to experiment with further.  In a letter to his brother on June 9, 1889 Van Gogh expresses his fascination with Egyptian art:

    “Now what makes Egyptian art, for instance, extraordinary – isn’t it that these serene, calm kings, wise and gentle, patient and kind, look as though they could never be other than what they are, eternal tillers of the soil, worshippers of the sun?

    I should so have liked to have seen an Egyptian house at the exhibition constructed by Jules Garnier the architect – painted in red, yellow, and blue, with a garden regularly divided into beds by rows of bricks – the dwelling place of beings whom we know only as mummies or in granite.

    But then to come back to the point, the Egyptian artists, having faith, working by feeling and by instinct, express all these intangible things – kindness, infinite patience, wisdom, serenity – by a few knowing curves and by the marvellous proportions. That is to say once more, when the thing represented and the manner of representing it agree, the thing has style and quality.”

    All four of the Mask of an Egyptian Mummy drawings are owned by the Van Gogh Museum in Amsterdam, The Netherlands.

    Mask of an Egyptian Mummy, June 1889 Mask of an Egyptian Mummy, July, 1890
    Mask of an Egyptian Mummy, July, 1890 Mask of an Egyptian Mummy, July, 1890

    Letter Source:
    http://www.webexhibits.org/vangogh/letter/20/594.htm

    Filed under - Van Gogh Auvers, Van Gogh Drawings, Van Gogh Saint Remy No Comments so far. Add yours now

  • 20
    Nov

    Van Gogh’s Church Paintings


    On June 17, 1876, Van Gogh wrote to his brother, Theo, about his love for the church,

    “But the reason I would much sooner give for commending myself to you is my innate love of the church and everything to do with the church, which may lie dormant from time to time but always reawakens; and, if I may say so, although with a sense of great inadequacy and imperfection: the Love of God and of man.”

    For at least three years Van Gogh pursued his love of the church and his calling to ministry.  He was a student of theology, though he failed his exam as well as a course at a Protestant missionary school, and became a missionary to coal miners in the village of Petit Wasmes in the district of Borinage Belgium.  He was so touched by the poverty of those around him that he gave nearly all of his possessions and clothing away to the miners.  Church authorities determined that Van Gogh was too zealous and rejected him from the ministry.  It was following this that Van Gogh began his artistic career.

    Though embittered by the rejection of the church, surely his love of the church never completely left him.  Throughout his art career, Van Gogh created several paintings of churches.  To read more about these paintings, click the links below:

    The Early Churches of Van Gogh

    Paintings of Nuenen Churches by Van Gogh

    View of the Church of Saint-Paul-de-Mausole

    Van Gogh’s Auvers Churches

    Letter Source:
    http://www.webexhibits.org/vangogh/letter/4/069.htm

    Cluster of Old Houses with the New Church in The Hague Landscape with a Church at Twilight
    Congregation Leaving the Reformed Church in Nuenen by Van Gogh The Old Church Tower at Nuenen
    Old Church Tower at Nuenen (The Peasants Churchyard) Van Gogh View of the Church of Saint-Paul-de-Mausole
    View of Auvers with Church The Church at Auvers

    Filed under - Van Gogh Paintings No Comments so far. Add yours now

  • 13
    Nov

    Van Gogh’s Auvers Churches


    In the last year of his life, Van Gogh created at least two paintings containing the church in Auvers, The Church at Auvers which he painted in June of 1890 and View of Auvers with Church which he painted in July of 1890 are two of those.  After his stay in the psychiatric hospital in Saint-Remy de Provence, Van Gogh settled in Auvers-sur-Oise a village in the outskirts of Paris on May 12, 1890.  During this time, he was still suffering from mental illness and emotional instability which might explain the dark and gloomy feel of his painting, The Church at Auvers.

    The Church at Auvers is Van Gogh’s only painting of the church in its entirety.  He seems to portray it as a place of doom and gloom with dark windows reflecting the dark sky and not radiating any light from within.  The shaky church even seems to sit in its own shadow.  Van Gogh wrote to his sister, Wilhelmina about the painting on June 5, 1890 comparing it to his painting of the Old Tower Church in Nuenen,

    “Apart from these I have a larger picture of the village church – an effect in which the building appears to be violet-hued against a sky of simple deep blue colour, pure cobalt; the stained-glass windows appear as ultramarine blotches, the roof is violet and partly orange. In the foreground some green plants in bloom, and sand with the pink flow of sunshine in it. And once again it is nearly the same thing as the studies I did in Nuenen of the old tower and the cemetery, only it is probably that now the colour is more expressive, more sumptuous.”

    Other images of the church may be distinguished in the background of views of the village.  In View of Auvers with Church the depiction is obvious.

    View of Auvers with Church is owned and located at the Rhode Island School of Design Museum of Art in Providence, Rhode Island, United States.  The Church at Auvers is located at the Musee d’Orsay in Paris France.

    The Church at Auvers View of Auvers with Church

    Letter Source:
    http://www.webexhibits.org/vangogh/letter/21/W22.htm

    Filed under - Van Gogh Auvers, Van Gogh Paintings No Comments so far. Add yours now

  • 08
    Nov

    Anunciando la Galería Van Gogh en español


    ¡Estamos orgullosos de anunciar el lanzamiento de la nueva Galería Van Gogh en español! En respuesta a la necesidad de un recurso español de información sobre la vida y obra de Vincent van Gogh, hemos creado una traducción española del sitio web de la Galería Van Gogh. El nuevo sitio español presenta información sobre la biografía, las pinturas, los dibujos, las acuarelas, los hechos divertidos y más, además de una galería en línea con más de 2.000 imágenes de obras de Van Gogh con nombres y información traducidos al español. Aprenda más sobre las obras famosas de Van Gogh, incluyendo La noche estrellada, Los girasoles, y sus autorretratos.

    ¡Visite la Galería Van Gogh en español aquí, y no se les olvide compartir este sitio con sus amigos!

    la Galeria Van GoghEnglish Translation:
    We are proud to announce the launch of the new Van Gogh Gallery in Spanish! In response to the need for a Spanish resource for information about the life and work of Vincent van Gogh, we have created a Spanish language translation of the Van Gogh Gallery website. The new Spanish site presents information on Van Gogh’s biography, paintings, drawings, watercolors, fun facts and more all in Spanish in addition to an online gallery with over 2,000 images of Van Gogh’s works with names and information all translated into Spanish.  Learn more about Van Gogh’s famous works including Starry Night, Sunflowers, and Van Gogh’s self portraits.

    Visit the Van Gogh Gallery in Spanish here, and don’t forget to share this site with your friends!

    Filed under - Van Gogh Gallery Spanish Site No Comments so far. Add yours now


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