Vincent van Gogh began working for The Hague’s branch of Goupil & Cie on July 30, 1869 as a junior apprentice, working under the management of H.G. Tersteeg. Goupil & Cie was an international print publishing firm and art dealer which also exhibited contemporary art. It was a dominant force in the French art market of the 19th century. The firm was founded by Henry Rittner in 1829, as Rittner & Co., Goupil’s name was added in 1831 when the gallery became Rittner & Goupil. It was later named Goupil & Vibert in 1841, and then finally Goupil & Cie in 1846. The internationally renowned gallery began in Paris and …..
We were recently contacted by a Vincent van Gogh Gallery Facebook follower with a question regarding Van Gogh’s relationship with a girl named Betsy Tersteeg so we did some research. Elisabeth (Betsy) Tersteeg (1869-1938) was the daughter of Hermanus Gijsbertus Tersteeg and Maria Magdalena Alida Tersteeg-Pronk. Mr. Tersteeg was an art-dealer at Goupil & Co art gallery in The Hague and was a friend of the Van Gogh family. He was Vincent and Theo’s manager when they worked at Goupil and he helped to mentor and nurture the boys. Letters to Theo from Vincent in their younger years show the great respect the brothers had for this man who took …..
In 1889, following Vincent van Gogh’s ear injury, he did not return to the Yellow House. Instead the suffering artist spent his nights at the hospital knowing that he did not feel capable of caring for himself. It was shortly after this that Van Gogh committed himself to the asylum of Saint-Remy-de-Provence. After recovering from his injury, but still residing at the hospital, Van Gogh was allowed to continue his work outdoors. One of the paintings created during this time was Pollard Willows or Road with Pollard Willows. The painting, whether intentionally or not, seems to carry a great deal of symbolism. The painting depicts an empty road bordered on …..